Tuesday, August 6, 2013
Stories We Tell, the self-reflective documentary by Sarah Polley, is very much aware of its storytelling. The story is told from multiple perspectives through interviews, narrative, home movie re-enactments, and lingering cinematography. It reveals the story of the filmmaker's family as a composite of the often inconsistent stories told by the individuals involved, shared for the first time through the vehicle of this project. With my blog entitled "another side to the story," I can't help but recommend it.
Thursday, August 1, 2013
I thought I would explore this original question – until I discovered that it wasn’t so original, that others had already asked the question and given thoughtful answers, writing about unique aspects of Jewish folktales, jokes, and humor.
Henry Eilbert wrote that a joke is Jewish if it “stems from the conditions of Jewish life or from the experience of the Jewish people, … depend[s] on the use of a Jewish language … [or] show[s] real or supposed Jewish characteristics or stereotypes.”
According to Rabbi Joseph Telushkin, a Jewish joke “must express a Jewish sensibility … concerning precisely those subjects and values that receive disproportionate attention among Jews. Antisemitism … professional success … verbal combativeness and aggression … assimilation … logic and argumentation … family relationships …”
A Jewish folktale is depicted by Nathan Ausubel as “philosophical and subtle, pious and moralistic, witty and ironic … ethical, pointing a lesson of right conduct, ceaselessly instructing, often even when it is being entertaining or humorous. … The most precious quality in them is their agitation over the eternal mysteries of the human soul.”
Dov Noy’s analysis showed that a Jewish folktale involves four main elements: a Jewish time (a holiday or life cycle event), a Jewish place (such as a synagogue or the Land of Israel), Jewish characters (a rabbi, a person from Jewish history, etc.), and a Jewish message (an ethical teaching, the listener’s duty to God, family, and community).
As seen by William Novak and Moshe Waldoks, Jewish humor “is substantive … can be sarcastic, complaining, resigned, or descriptive … tends to be anti-authoritarian … has a critical edge which creates discomfort in making its point … [and] mocks everyone – including God.”
Here is one more, a brief definition I find particularly appealing.
A distinctively Jewish story is one that a non-Jew wouldn’t understand, and a Jewish person has already heard.By telling – and retelling and explaining – these stories, we share what we find of value.
Henry Eilbert, What is a Jewish Joke: An Excursion into Jewish Humor. Jason Aaronson, 1981, pp. 59-61.
Rabbi Joseph Telushkin, Jewish Humor: What the Best Jewish Jokes Say About the Jews. William Morrow, 1992, pp. 16-17.
Nathan Ausubel, Editor, A Treasury of Jewish Folklore: Stories, Traditions, Legends, Humor, Wisdom and Folk Songs of the Jewish People. Crown, 1948, pp. xx-xxi
Dov Noy, “Forward: What is Jewish about the Jewish Folktale.” In, Howard Schwartz, Miriam's Tambourine: Jewish Folktales from Around the World. Oxford University Press, 1988, pp. xv-xviii.
William Novak and Moshe Waldoks, Editors, The Big Book of Jewish Humor, Harper Perennial, 1981, pp. xx-xxii.
Additional articles on this topic
Jewish Writer, by David Albahari
Nu, What Makes Jewish Literature so Jewish, Anyway? by Rachel Barenblat
What is a Jewish Book, by Kathy Bloomfield
Defining “Jewish Writing,” by Erika Dreifus
Thoughts on Jewish Story, by Erika Dreifus
What Makes a Short Story Jewish? by David Ebenbach
What Makes a Creative Process Jewish? by David Ebenbach
Am I a Jewish Writer or a Writer Who Happens to Be Jewish? by Ellen Feldman
Writing “Jewish” Fiction, by Allegra Goodman
Are You a Jewish Writer? by Joshua Henkin
Is There Such a Thing as Jewish Fiction? Moment symposium with 17 authors
The Complication of the Jewish Writer Question, by Daniel Torday
Five Jewish Writers Walk Into a Bookstore..., by Joseph Winkler
Are You a Jewish Storyteller? by Jennifer Rudick Zunikoff